the ministry of lengthy walks

occupy the highway

i went down to zuccotti park to see the marchers off, to chat with them a bit, to approximate and internalize their faces. this was not, in its conception, to be a terribly unusual use of a morning for me, but the project proved more complex than anticipated.

i’d prepared, of course, for the expected obstacle of my persistent and debilitating shyness with a self-administered pep-talk while ferrying across the east river (“it’s okay, people are nice, no one knows anyone before they do, etc.”). but i didn’t realize how substantial the liberty plaza encampment had become since my last visit. while obviously necessary to withstand the coming winter (which now seems, like zuccotti’s management company, to have called off its offensive against the protesters at least temporarily), the proliferation of tents and semi-permanent structures has left precious little room for sitting and drawing.

what slender space remained was in high demand, as an unkindness of ravenous reporters crowded their cameramen onto the steps below the infamous if inscrutable red thing, where the marchers were gathering. (cameras seem to promote a similar hierarchy to cars, the operators of the largest ones feeling implicitly entitled to spacial preference.) i shifted my position often to keep subjects in view and to avoid (not always successfully) being stepped on.

i mention all this only to suggest that you think of the accompanying sketches as impressions rather than likenesses (but deep impressions, left by deeply impressive people).

sarah prepares to occupy the highway

the marchers, though demographically diverse, share a tendency toward excited smiles and awesome hats. they seem also to share the impression that the country is in the process of “waking up,” and that they are its courtesy call. some were giddy at the preposterousness of what they were about to undertake, while others presented the relieved confidence that comes with finally finding one’s appropriate home, a community to support what you were up to anyway.

sarah belonged clearly to the latter camp. because she projected a demeanor perhaps more approachable than that of your average activist, she was a favorite of the newsfolk. she explained, patiently, repeatedly, the importance of witnessing the nation’s occupations in person, eloquently articulating the march’s hope to bring the movement more intimately to less urban locales (where, despite social media and the various technological marvels through which we embrace them, outreach has proven more difficult). america, she felt, was ready for the message they were bringing it; people were “ready to stop working jobs they hate” to sustain lives that don’t make them happy.

for sarah, the principle was easier done than said. she had tried, she assured me, having a home, sleeping in the same bed from one day to the next, settling in and down. but it didn’t suit her, and for more than ten years she’d been happily transient. three years ago she met her equally telegenic boyfriend garth, who had similarly “dropped out of society,” and they have lived ever since united in perfect peripatesis. (they relay their joint pursuits at pursuing nothing.)

garth prepares to occupy the highway

delayed by the unexpected media onslaught and the swelling of their numbers from seven to twenty-five in the preceding twenty-four hours, the marchers were already behind schedule by the time their ambulations began. and yet they were determined to get to elizabeth, where a generously offered roof awaited them, before calling it a day. with only two planned days of rest (at the occupy philly and occupy baltimore camps), their schedule could suffer few liberties and still deliver them to d.c. in advance of the congressional super committee’s imminent deadline.

remember the super committee? this is a march about the super committee.

after finding “ken from new jersey,” with whom the marchers had become acquainted via couchsurfing.com, and on whose parents’ floor they would sleep that night, they set off, circling the square by way of farewell. “come see us off!” they called to the assembled crowd, who readily accepted the invitation.

“who wants to take this bag?” intoned a middle-aged, conservatively attired jewish couple, lugging a bulging sack alongside the protesters. “it has a tent, a sleeping bag, a warm coat…”

a marcher suggested they bring it down to the comfort station, where such donated niceties are freely distributed to occupiers as needed. “no, we’re giving it to one of you,” they informed him. “you don’t realize it yet, but someone’s going to need it.” (if they’re following the march’s twitter feed, they saw their concerns vindicated a few hours later, but i don’t suppose they required any such confirmation.)

the swarm of marchers, media attendants, well-wishers, and gawkers became somewhat dispersed as they tried to negotiate the already bustling sidewalks. “wait, did they go that way?” a scattering of voices began wondering, but everyone asked seemed to share the question. which ferry was it they were walking to, anyway, and how were they getting there? the march had been hastily organized, many of its participants having only become aware of it in recent hours, and this information had not really been disseminated.

the fine gentleman atop this post (whose name i foolishly failed to record) was separated from the pack. he started off one way and, seeing no signs or heavy packs or bulky video equipment, reversed course. he expressed heart-breakingly deep disappointed, so i was happy to see he caught up with the procession before it crossed the hudson.

what happened next, they can tell you themselves, but things seemed to be going well. unrequested police escorts ushered the marchers from municipality to municipality, as truckers honked and onlookers cheered. the first day was not without incident, but they all arrived safely at ken’s parents’ house in elizabeth, where tea and a warm jacuzzi awaited them, and where they held the march’s first general assembly. so far, so good.

so let’s go. we can meet up with the marchers on monday, their day off in philadelphia, and join the second leg of the trip, walking and drawing and blogging our way to d.c. i know and share your reservations; we’re too busy, too broke, too committed and settled and old for this sort of thing. we have rent to pay and cats to feed. but we should probably do it anyway. as they say, we’re only going to be old this once.

i’m prepared to be this irresponsible; i just need a travel buddy. let me know if it’s you.

occupy the highway

[ i'm actually not certain if this gent was a marcher or a fellow well-wisher; i didn't get a chance to talk to him. UPDATE: confirmed: he's on the march. ]

more on occupy wall street:
the play’s the thing ○ the culture and community of the occupation
mic check ○ impressions from my first visit
occupy sunday ○ how i came to be preoccupied with the protests

can we?

can we?

[ read the rest of this comic at act now. ]

this is my first, and very probably last, political cartoon. it has been carefully crafted to piss off almost everyone i know, from my obamaniac friends to my most reactionary relatives. you can read the whole comic (it’s only a little bit longer) and leave me angry rants over at act now.

occupy sunday

the people’s reference librarian, and other occupiers

you’re looking at the people’s reference librarian. one of them, anyway.

within minutes of my initial descent into liberty square, where the much-heralded occupation of wall street is now in its fifty-first day, i realized i’d been woefully misled. this was not so much a matter of bias, which, as an oft-obsessive consumer of news, i feel capable of identifying and accounting for. clarinet player in a pop-up jazz trio at occupy wall street it was instead an utter lack of understanding among the vast majority of those assigned to report on the protest of what it was they were looking at (it doesn’t help that many didn’t bother to show up before settling in to pontificate). this haziness on the part of our media intermediaries has been widely perceived as a lack of purpose or organization among the occupiers themselves, but the absurdity of this appraisal reveals itself to physical visitors almost immediately.

[ the clarinetist in a pop-up jazz trio (which quickly morphed into a quartet, and then a quintet, as strangers joined in the jamboree. ]

i found myself back on the india street pier waiting for the ferry to wall street the next morning, and the morning after that, and many of the mornings to follow, with my sketchbook and my long-dormant political intensity in tow. i brought books (with and without pictures) to the people’s library. i attended general assemblies and meditated in (and on) the plaza’s sacred space. i received non-violent(ish) direct action training from some of the most formidable anarchists i have ever encountered. sam, my direct action training facilitator i arrived before dawn with the national lawyers’ guild’s hotline sharpied on my leg when the encampment’s eviction seemed imminent, to help prevent it if possible, and document it if not.

[ my direct action training facilitator. ]

i became quietly obsessed with the ambition to correct the record, to grant occupy wall street a fair hearing in the court of public opinion, to explain to the less proximate world that it is not a rally or a march or a clash with the authorities or a set of demands or even a steady procession of the above, but a place wherein such things have room to occur, like a campus on which everyone majors in revolutionary whimsy. i came home and posted a couple sketches beside my initial impressions of the people’s mic, in what i intended to be the first in a series of illustrated dispatches.

the people’s reference librarian

but the bulk of my thoughts ended up in a photographically-illustrated article over at act now examining the culture and community of this unexpected place. within a day it became my most widely read essay (not so tremendous a feat, but still), and has since multiplied its audience several times over. if you’ve been wondering what exactly the protestors are doing, or what it is they want, or why they’re camping about it, you may find it instructive. or a fun read, at least.

i draw slowly, as those of you waiting on my promised new comics have on occasion pointed out to me. because zuccotti park is an unusually vibrant place these days, occupy wall street general assembly consensus and the revolution does not stop to pose, i was forced to capture some of the encampment’s more ephemeral sights with my camera. all non-crappy photos from my visits to the occupation can be found, and used freely for non-commercial purposes (under this creative commons license), on the boykenan flickr page.

the aforementioned act now blog, where members and friends of one of new york’s largest progressive mobilization organizations air grievances and hatch schemes, is looking for people who draw less slowly than i (as noted, an easy bar to clear) to contribute political cartoons (comics, animation, collage, what-have-you). bass player in a pop-up jazz trio at occupy wall street because we are an all-volunteer organization (unlike, say the huffington post), there is sadly no money to be distributed to deserving contributors. but artists and authors retain all rights to their work and gain access to a wide audience of politically active new yorkers. holler at kenan [at] actnowny [dot] org with submissions.

[ the bassist of the aforementioned trio, quartet, and quintet. ]

midnight OccupyLap

of course, i am not the only activist in the family. inspired by the fearless displays of solidarity emerging across the nation and the world, midnight has begun an occupation of her own. you can follow her revolutionary whims and political wisdom on twitter at @occupylap. it’s activism at its sexiest and most sedentary.

the occupation’s drum major

[ it would probably be both too hierarchical and too militarily-coded to call this man the occupation's drum major, but it would probably not be inaccurate. ]

mic check

faces of the occupation

[ a young man reads naomi klein to his friends on the east steps ]

have you heard about this?

despite the prohibition of amplified sound, the residents of zuccotti park have devised a way to be heard over the drum circles, jazz bands, political debates, and ambient city soundscapes that compete for the plaza’s dense sonic space. it works like this: somebody (who can be anybody, because it’s that kind of scene) shouts “mic check!”

to which more or less everyone within her sphere of audibility replies, “MIC CHECK!” in something usually very nearly approximating unison.

satisfied that “the people’s mic” is functioning properly, the speaker continues with her announcement:

“in five minutes…”

IN FIVE MINUTES…

“…we’re going to have a meeting…”

…WE’RE GOING TO HAVE A MEETING…

“…about strategies for achieving environmental justice…”

…ABOUT STRATEGIES FOR ACHIEVING ENVIRONMENTAL JUSTICE…

“…through indigenous rights activism!”

…THROUGH INDIGENOUS RIGHTS ACTIVISM!

“the meeting will be held…”

THE MEETING WILL BE HELD…

“…over there!” she points.

…OVER THERE!” many pointings.

the format serves a number of practical purposes, including the making of announcements, the public reading of mind-expanding texts, the issuing of reminders about collecting recycling, and the conducting of the twice daily “general assembly,” as well as the smaller, more narrowly focused meetings happening in five minutes over there.

but because everyone has a voice, and every voice, the right to be heard, there are also those happy occasions when a rotund man with a beard that seems not to have been cut since well before woodstock tumbles into your vicinity, clutching a hand-scrawled cardboard poster for the event he is organizing.

“mic check!” he will call out in a supremely confident voice. he is excited, you theorize, to be reprising his life’s most compelling movement, the last time he really felt like he knew what he was doing, and why.

and so you join in the reply of “MIC CHECK!

“four-thirty p.m.!” the man proclaims.

FOUR-THIRTY P.M.!

“nassau and pine!”

NASSAU AND PINE!

“levitate wall street!”

…LEVITATE WALL STREET!

“we’re gonna show all the bankers…”

WE’RE GONNA SHOW ALL THE BANKERS…

“…that all their lobbyists…”

…THAT ALL THEIR LOBBYISTS…

“…are no match for the people, united!”

…ARE NO MATCH FOR THE PEOPLE UNITED!

“and shake them around a little bit!”

AND SHAKE THEM AROUND A LITTLE BIT!

“levitate wall street!”

LEVITATE WALL STREET!

like the rest of your fellow resonators, you won’t actually attend this event. you may appreciate the sentiment, but fear you’d never recover from the disappointment if it didn’t work out.

regardless, it’s an impressive display of amplitude.

a vietnam vet with his nikon

[ a vietnam veteran decides where to point his nikon ]

today’s article about the occupation that doesn’t totally suck: it’s a protest. it’s not woodstock by teddy wayne.

why can’t i get gay married?

i make this look good

i did this illustration for an article about marriage equality in new york state on the act now blog. i also wrote the article. and then i had myself illustrate it. (i pretty much always get me to do my illustrations, primarily because of my extremely reasonable rates.)